The_Mel_Blanc_Show_46-10-01_ep05_Muscle_Man_Contest

The Mel Blanc Show was a radio situation comedy in the United States. It was broadcast on CBS from September 3, 1946 to June 24, 1947.

Although Mel Blanc “did countless character impersonations on other radio programs, as well as being the voice of many cartoon characters,” he used his natural voice in this program and played himself – except that instead of being an entertainer, the Mel Blanc character in the show was “the bumbling owner of a fix-it shop that was never able to fix anything.” The show’s one regular outlet for another Blanc voice was the character Zookie, a stuttering helper. One website noted, however, “Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend’s father, but of course simply as a vehicle for him to show off his talents.”

The_Mel_Blanc_Show_46-09-24_ep04_Mel_Tries_to_Fix_a_Water_Heater

The Mel Blanc Show was a radio situation comedy in the United States. It was broadcast on CBS from September 3, 1946 to June 24, 1947.

Although Mel Blanc “did countless character impersonations on other radio programs, as well as being the voice of many cartoon characters,” he used his natural voice in this program and played himself – except that instead of being an entertainer, the Mel Blanc character in the show was “the bumbling owner of a fix-it shop that was never able to fix anything.” The show’s one regular outlet for another Blanc voice was the character Zookie, a stuttering helper. One website noted, however, “Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend’s father, but of course simply as a vehicle for him to show off his talents.”

The_Mel_Blanc_Show_46-09-17_ep03_The_Cake_Contest

The Mel Blanc Show was a radio situation comedy in the United States. It was broadcast on CBS from September 3, 1946 to June 24, 1947.

Although Mel Blanc “did countless character impersonations on other radio programs, as well as being the voice of many cartoon characters,” he used his natural voice in this program and played himself – except that instead of being an entertainer, the Mel Blanc character in the show was “the bumbling owner of a fix-it shop that was never able to fix anything.” The show’s one regular outlet for another Blanc voice was the character Zookie, a stuttering helper. One website noted, however, “Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend’s father, but of course simply as a vehicle for him to show off his talents.”

The_Mel_Blanc_Show_46-09-10_ep02_Efficiency_Expert

The Mel Blanc Show was a radio situation comedy in the United States. It was broadcast on CBS from September 3, 1946 to June 24, 1947.

Although Mel Blanc “did countless character impersonations on other radio programs, as well as being the voice of many cartoon characters,” he used his natural voice in this program and played himself – except that instead of being an entertainer, the Mel Blanc character in the show was “the bumbling owner of a fix-it shop that was never able to fix anything.” The show’s one regular outlet for another Blanc voice was the character Zookie, a stuttering helper. One website noted, however, “Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend’s father, but of course simply as a vehicle for him to show off his talents.”

The_Mel_Blanc_Show_46-09-03_ep01_Birthday_Cards

The Mel Blanc Show was a radio situation comedy in the United States. It was broadcast on CBS from September 3, 1946 to June 24, 1947.

Although Mel Blanc “did countless character impersonations on other radio programs, as well as being the voice of many cartoon characters,” he used his natural voice in this program and played himself – except that instead of being an entertainer, the Mel Blanc character in the show was “the bumbling owner of a fix-it shop that was never able to fix anything.” The show’s one regular outlet for another Blanc voice was the character Zookie, a stuttering helper. One website noted, however, “Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend’s father, but of course simply as a vehicle for him to show off his talents.”

Life_Of_Riley_451215_Grandma_s_Boyfriend

Known for its tag line “What a revoltin’ development this is”, The Life of Riley, starring William Bendix, first aired in January of 1944. The show was originally conceived as a vehicle for Groucho Marx, but it was reworked and recast with the assistance of co-developer Milton “Gummo” Marx, the non-performing Marx brother. It eventually emerged as a situation comedy about the life and struggles of blue-collar, salt-of-the-earth Chester A. Riley. Riley, a husband, father, and riveter at a California aircraft plant brought comedy to the common man’s struggle to make ends meet and finesse the challenges of everyday life. Riley invariably addressed a problem or pursued a scheme with a “full steam ahead” attitude that inflated even the most innocuous situation into a full-blown disaster.

The ironic title, suggesting a life of ease and comfort, probably had its origins in the 19th century. Some suggest the phrase “the life of Riley” referred to the 19th century clan Riley of County Cavan in Ireland, who consolidated power and wealth to such an extent that they minted their own money. Others claim the phrase is a reference to Hoosier poet, James Whitcomb Riley. Whatever the origin, “the life of Riley” became a catch phrase in the popular culture of the 1940s that has lasted to the present day, and is tied irrevocably to the character of Chester A. Riley.

In addition to Bendix’ Riley, the show featured immensely popular supporting characters, including Digby “Digger” O’Dell, the ghoulish “friendly undertaker” voiced by John Brown (who also played Thorny on Ozzie and Harriet, Al on My Friend Irma, and Broadway on The Damon Runyan Theatre). Riley’s annoying co-worker, Gillis, was also voiced by Brown. Uncle Baxter, Riley’s unwelcome permanent houseguest, was played by Hans Conreid.

Life_Of_Riley_451208_Job_Promotion_Exam

Known for its tag line “What a revoltin’ development this is”, The Life of Riley, starring William Bendix, first aired in January of 1944. The show was originally conceived as a vehicle for Groucho Marx, but it was reworked and recast with the assistance of co-developer Milton “Gummo” Marx, the non-performing Marx brother. It eventually emerged as a situation comedy about the life and struggles of blue-collar, salt-of-the-earth Chester A. Riley. Riley, a husband, father, and riveter at a California aircraft plant brought comedy to the common man’s struggle to make ends meet and finesse the challenges of everyday life. Riley invariably addressed a problem or pursued a scheme with a “full steam ahead” attitude that inflated even the most innocuous situation into a full-blown disaster.

The ironic title, suggesting a life of ease and comfort, probably had its origins in the 19th century. Some suggest the phrase “the life of Riley” referred to the 19th century clan Riley of County Cavan in Ireland, who consolidated power and wealth to such an extent that they minted their own money. Others claim the phrase is a reference to Hoosier poet, James Whitcomb Riley. Whatever the origin, “the life of Riley” became a catch phrase in the popular culture of the 1940s that has lasted to the present day, and is tied irrevocably to the character of Chester A. Riley.

In addition to Bendix’ Riley, the show featured immensely popular supporting characters, including Digby “Digger” O’Dell, the ghoulish “friendly undertaker” voiced by John Brown (who also played Thorny on Ozzie and Harriet, Al on My Friend Irma, and Broadway on The Damon Runyan Theatre). Riley’s annoying co-worker, Gillis, was also voiced by Brown. Uncle Baxter, Riley’s unwelcome permanent houseguest, was played by Hans Conreid.

Life_Of_Riley_451201_Phonograph_Record_Saves_Riley

Known for its tag line “What a revoltin’ development this is”, The Life of Riley, starring William Bendix, first aired in January of 1944. The show was originally conceived as a vehicle for Groucho Marx, but it was reworked and recast with the assistance of co-developer Milton “Gummo” Marx, the non-performing Marx brother. It eventually emerged as a situation comedy about the life and struggles of blue-collar, salt-of-the-earth Chester A. Riley. Riley, a husband, father, and riveter at a California aircraft plant brought comedy to the common man’s struggle to make ends meet and finesse the challenges of everyday life. Riley invariably addressed a problem or pursued a scheme with a “full steam ahead” attitude that inflated even the most innocuous situation into a full-blown disaster.

The ironic title, suggesting a life of ease and comfort, probably had its origins in the 19th century. Some suggest the phrase “the life of Riley” referred to the 19th century clan Riley of County Cavan in Ireland, who consolidated power and wealth to such an extent that they minted their own money. Others claim the phrase is a reference to Hoosier poet, James Whitcomb Riley. Whatever the origin, “the life of Riley” became a catch phrase in the popular culture of the 1940s that has lasted to the present day, and is tied irrevocably to the character of Chester A. Riley.

In addition to Bendix’ Riley, the show featured immensely popular supporting characters, including Digby “Digger” O’Dell, the ghoulish “friendly undertaker” voiced by John Brown (who also played Thorny on Ozzie and Harriet, Al on My Friend Irma, and Broadway on The Damon Runyan Theatre). Riley’s annoying co-worker, Gillis, was also voiced by Brown. Uncle Baxter, Riley’s unwelcome permanent houseguest, was played by Hans Conreid.

Life_Of_Riley_451124_Will_Babs_And_Simon_Marry

Known for its tag line “What a revoltin’ development this is”, The Life of Riley, starring William Bendix, first aired in January of 1944. The show was originally conceived as a vehicle for Groucho Marx, but it was reworked and recast with the assistance of co-developer Milton “Gummo” Marx, the non-performing Marx brother. It eventually emerged as a situation comedy about the life and struggles of blue-collar, salt-of-the-earth Chester A. Riley. Riley, a husband, father, and riveter at a California aircraft plant brought comedy to the common man’s struggle to make ends meet and finesse the challenges of everyday life. Riley invariably addressed a problem or pursued a scheme with a “full steam ahead” attitude that inflated even the most innocuous situation into a full-blown disaster.

The ironic title, suggesting a life of ease and comfort, probably had its origins in the 19th century. Some suggest the phrase “the life of Riley” referred to the 19th century clan Riley of County Cavan in Ireland, who consolidated power and wealth to such an extent that they minted their own money. Others claim the phrase is a reference to Hoosier poet, James Whitcomb Riley. Whatever the origin, “the life of Riley” became a catch phrase in the popular culture of the 1940s that has lasted to the present day, and is tied irrevocably to the character of Chester A. Riley.

In addition to Bendix’ Riley, the show featured immensely popular supporting characters, including Digby “Digger” O’Dell, the ghoulish “friendly undertaker” voiced by John Brown (who also played Thorny on Ozzie and Harriet, Al on My Friend Irma, and Broadway on The Damon Runyan Theatre). Riley’s annoying co-worker, Gillis, was also voiced by Brown. Uncle Baxter, Riley’s unwelcome permanent houseguest, was played by Hans Conreid.

Life_Of_Riley_451020_Sidney_Monahan_Is_A_House_Guest

Known for its tag line “What a revoltin’ development this is”, The Life of Riley, starring William Bendix, first aired in January of 1944. The show was originally conceived as a vehicle for Groucho Marx, but it was reworked and recast with the assistance of co-developer Milton “Gummo” Marx, the non-performing Marx brother. It eventually emerged as a situation comedy about the life and struggles of blue-collar, salt-of-the-earth Chester A. Riley. Riley, a husband, father, and riveter at a California aircraft plant brought comedy to the common man’s struggle to make ends meet and finesse the challenges of everyday life. Riley invariably addressed a problem or pursued a scheme with a “full steam ahead” attitude that inflated even the most innocuous situation into a full-blown disaster.

The ironic title, suggesting a life of ease and comfort, probably had its origins in the 19th century. Some suggest the phrase “the life of Riley” referred to the 19th century clan Riley of County Cavan in Ireland, who consolidated power and wealth to such an extent that they minted their own money. Others claim the phrase is a reference to Hoosier poet, James Whitcomb Riley. Whatever the origin, “the life of Riley” became a catch phrase in the popular culture of the 1940s that has lasted to the present day, and is tied irrevocably to the character of Chester A. Riley.

In addition to Bendix’ Riley, the show featured immensely popular supporting characters, including Digby “Digger” O’Dell, the ghoulish “friendly undertaker” voiced by John Brown (who also played Thorny on Ozzie and Harriet, Al on My Friend Irma, and Broadway on The Damon Runyan Theatre). Riley’s annoying co-worker, Gillis, was also voiced by Brown. Uncle Baxter, Riley’s unwelcome permanent houseguest, was played by Hans Conreid.