Jeff Regan, Investigator 1949-11-08 Little Man’s Lament (Rehearsal)

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Jeff Regan, Investigator 1949-11-02 The Man in the Black Suit (Rehearsal)

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Jeff Regan, Investigator 1949-10-26 Wanted to Live

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Jeff Regan, Investigator 1949-10-19 Lady From Brazil

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Jeff Regan, Investigator 1949-10-12 Man in the Church (AFRS)

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Jeff Regan, Investigator 1949-10-05 The Lady by the Fountain (AFRS)

Jeff Regan, Investigator is a radio detective drama that ran on CBS from July 10, 1948, to December 18, 1948, and again from October 5, 1949, to August 27, 1950. The series is notable for being one of the earliest nationwide programs to feature Jack Webb.

Afrs 077 – Bob Hope -Stockton Air Field 10-17-44

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Afrs 066 – Kollege Of Musical Knowledge – From Los Alamedas 01-19-44.

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Afrs 034 – Amos Andy – Andy The Fugitive 05-26-44

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
—————————————————————————
Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Afrs 026 – Take A Record Please – Frank Devol – First Song – Dream A While Xx-xx-51

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
—————————————————————————
Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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