Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.

Elliott and Goulding’s brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was “This is Ray Goulding reminding you to write if you get work”; “Bob Elliott reminding you to hang by your thumbs.”

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Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.

Elliott and Goulding’s brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was “This is Ray Goulding reminding you to write if you get work”; “Bob Elliott reminding you to hang by your thumbs.”

Podcast: Play in new window | Download

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out. Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.

Elliott and Goulding’s brand of humor caught on, and WHDH gave them their own weekday show in 1946. Matinee with Bob and Ray was originally a 15-minute show, soon expanding to half an hour. (When explaining why Bob was billed first, Goulding claimed that it was because Matinee with Bob and Ray sounded better than Matinob with Ray and Bob.) Their trademark sign-off was “This is Ray Goulding reminding you to write if you get work”; “Bob Elliott reminding you to hang by your thumbs.”

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The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
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Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Podcast: Play in new window | Download

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
—————————————————————————
Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Podcast: Play in new window | Download

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
—————————————————————————
Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater
https://live365.com/station/Sherlock-Holmes-Classic-Radio–a91441
https://live365.com/station/CBS-Radio-Mystery-Theater-a57491
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Podcast: Play in new window | Download

Beginning in the summer of 1944, at the height of World War II, The Man Called X was originally a kind of “FBI” program. The series soon developed a more international approach, however, featuring danger, intrigue, and romance in exotic settings. On any given Saturday or Sunday evening, Wendell Niles would say, “Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find “The Man Called X”.

The Man Called X starred British-born actor, Herbert Marshall as suave, sophisticated Ken Thurston, undercover international troubleshooter for a mysterious American governmental agency. He is aided and abetted by that shady character Pegon Zeldschmidt played by Leon Belasco. The Man Called X was underwritten by various companies, most notably Frigidaire and General Motors as dual sponsors. The show was directed by Jack Johnstone, and Johnny Green is credited with its music.

Podcast: Play in new window | Download

Beginning in the summer of 1944, at the height of World War II, The Man Called X was originally a kind of “FBI” program. The series soon developed a more international approach, however, featuring danger, intrigue, and romance in exotic settings. On any given Saturday or Sunday evening, Wendell Niles would say, “Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find “The Man Called X”.

The Man Called X starred British-born actor, Herbert Marshall as suave, sophisticated Ken Thurston, undercover international troubleshooter for a mysterious American governmental agency. He is aided and abetted by that shady character Pegon Zeldschmidt played by Leon Belasco. The Man Called X was underwritten by various companies, most notably Frigidaire and General Motors as dual sponsors. The show was directed by Jack Johnstone, and Johnny Green is credited with its music.

Podcast: Play in new window | Download

Beginning in the summer of 1944, at the height of World War II, The Man Called X was originally a kind of “FBI” program. The series soon developed a more international approach, however, featuring danger, intrigue, and romance in exotic settings. On any given Saturday or Sunday evening, Wendell Niles would say, “Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find “The Man Called X”.

The Man Called X starred British-born actor, Herbert Marshall as suave, sophisticated Ken Thurston, undercover international troubleshooter for a mysterious American governmental agency. He is aided and abetted by that shady character Pegon Zeldschmidt played by Leon Belasco. The Man Called X was underwritten by various companies, most notably Frigidaire and General Motors as dual sponsors. The show was directed by Jack Johnstone, and Johnny Green is credited with its music.

Podcast: Play in new window | Download

Beginning in the summer of 1944, at the height of World War II, The Man Called X was originally a kind of “FBI” program. The series soon developed a more international approach, however, featuring danger, intrigue, and romance in exotic settings. On any given Saturday or Sunday evening, Wendell Niles would say, “Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find “The Man Called X”.

The Man Called X starred British-born actor, Herbert Marshall as suave, sophisticated Ken Thurston, undercover international troubleshooter for a mysterious American governmental agency. He is aided and abetted by that shady character Pegon Zeldschmidt played by Leon Belasco. The Man Called X was underwritten by various companies, most notably Frigidaire and General Motors as dual sponsors. The show was directed by Jack Johnstone, and Johnny Green is credited with its music.

Podcast: Play in new window | Download